Fareed Haque

Birth Name Fareed Haque
Born 1963
City Chicago, Illinois
Genres Acoustic, Bebop, Fusion, Jazz, Latin
Instruments Guitar
Associated acts Garaj Mahal, The Dixon-Rhyne Project

Fareed Haque is a modern guitar virtuoso. Steeped in classical and jazz traditions, his unique command of the guitar and different musical styles inspire his musical ventures with tradition and fearless innovation.

Since 2011, Haque has returned to his first loves, jazz guitar and classical guitar. He has been busy performing and recording with his trio featuring legendary B3 virtuoso Tony Monaco, his own trio and jazz quartet, as well as his larger world music group the Flat Earth Ensemble.

Recent releases include the critically acclaimed Out of Nowhere featuring drummer Billy Hart and bassist George Mraz, The Flat Earth Ensemble’s latest release Trance Hypothesis, and The Tony Monaco/Fareed Haque release Furry Slippers that reached the top 10 in Jazz Radio Airplay.

IN addition, Fareed has performed at the Chicago, Detroit, and Java Jazz festivals and was featured as part of the Made in Chicago Series performing with his numerous groups at Millenium Park’s Pritzker Pavillion in Chicago. He also performed and arranged numerous classical programs as 2013 artist-in-residence for The Chicago Latin Music Festival, was featured on WBEZ, as well as WFMT’s Fiesta! radio programs, and has recorded his arrangement of Piazzolla’s 5 Tango Sensations, El Alevin by Eduardo Angulo Leo Brouwer’s Quintet for Guitar and String Quartet with the critically acclaimed Kaia String Quartet. Haque continues to tour and record extensively along with documenting his unique teaching methods in a series of best selling interactive video courses through TrueFire.

IN 2016, Haque was invited to perform at the Indianapolis Jazz Festival Tribute to Wes Montgomery along with Peter Bernstein, Bobby Broom, Henry Johnson, Will Mathews, Russell Malone, Pat Martino, and Dave Stryker. He was also a visiting scholar at Western Michigan University. Recent projects include artistic directorship of numerous jazz festivals, performances with Tony Monaco, Paquito D’Rivera, Vijay Iyer, pundit Vikku Vinacrayam, long-anticipated reunion concerts with Garaj Mahal, concerts in India, a return to Java Jazz, and concerts and teaching in China. In 2017, Mr. Haque released The Bridge with virtuoso Chilean bassist Christian Galvez and renowned Indian percussionist Selva Ganesh. Haque has also rekindled his duo with Goran Ivanovic. Performances include Canadian Guitar Festival, Winters Jazz Fest NYC, Lotus Music Fest, and many others. Upcoming tours in China and Europe are slated for 2018. Haque has joined drum legend Billy Cobham as a member of his Crosswinds Ensemble featuring Haque on guitars, Randy Brecker on Trumpet, and Paul Hansen on sax and bassoon. Extensive touring and recording are slated for 2019. Haque’s most recent release NEW LATIN AMERICAN MUSIC FOR GUITAR AND STRING QUARTET was picked by Howard Reich of the Chicago Tribune as one of the top releases of 2018. In addition, the release was chosen as Downbeat Magazine Editor’s Pick in 2018. 2019 portends to be a busy year, as Haque has retired from 30 years at Northern Illinois University to accommodate extended tours with Cobham, Goran Ivanovic, and his own groups. Highlights to include The Montreux Jazz Festival with Cobham, and appearances with his own groups at The Bluenote Beijing, Louisville, and Minneapolis Guitar Festivals among others. New recordings with his own group and with Goran Ivanovic are scheduled for 2019, under the legendary Delmark Label.

Born in 1963 to a Pakistani father and Chilean mother, Fareed’s extensive travels and especially long stays in Spain, France, Iran, Pakistan, and Chile exposed Haque to different kinds of music from a very early age. While this natural eclecticism has become a hallmark of Haque’s music, it was repeated visits to Von Freeman’s Chicago jam sessions that gave Haque a grounding in the Chicago blues and jazz traditions. The 1981 recipient of North Texas State University’s Jazz Guitar Scholarship, Haque spent a year studying with renowned jazz guitarist and pedagogue Jack Peterson. Fareed’s growing interest in the classical guitar led him to transfer to Northwestern University, where he completed his studies in classical guitar under David Buch, John Holmquist, and Anne Waller.

Soon after his transfer to NU, Haque came to the attention of multi-instrumentalist Howard Levy and joined his latin-fusion group Chevere. Thru Levy, Haque was introduced to Paquito D’Rivera and began a long and fruitful relationship with the Cuban NEA Jazz Master. Numerous world tours and recordings including Manhattan Burn, Celebration, Havana Cafe, Tico Tico, Live at the MCG were to follow. Especially notable is the classic and award winning Reunion featuring Haque along with Arturo Sandoval, Danilo Perez, Giovanni Hidalgo, Mark Walker, and David Fink.

Video Playlist
1/3 videos
1
Fareed Haque - Live Performance 2 - All Star Guitar Night - Winter NAMM 2011
Fareed Haque - Live Performance 2 - All Star Guitar Night - Winter NAMM 2011
2
Jazz Comping Guitar Lesson - Jazz Ballad G - Performance - Fareed Haque
Jazz Comping Guitar Lesson - Jazz Ballad G - Performance - Fareed Haque
3
Classical Guitar Lesson - Drume Negrita: Performance - Fareed Haque
Classical Guitar Lesson - Drume Negrita: Performance - Fareed Haque

Thru D’Rivera, Haque was brought to the attention of Sting, who had just begun his record label Pangaea. Sting invited Haque to join the label and he released 2 critically acclaimed recordings, Voices Rising and Manresa. Haque toured briefly with Sting, including notable appearances at The Montreux Jazz Festival, as well as NBC’s Michelob Presents Sunday Night with David Sanborn, but his own career demands led Haque in other directions.

Haque has been featured on WTTW’s ArtBeat and Chicago Tonight, Ben Sidran’s New Visions, Michelob Presents Sunday Night with David Sanborn on NBC, his own Lonesome Pines special for PBS, and on BET cable jazz channel. Fareed has twice been selected as Talent Deserving Wider Recognition in Downbeat Magazine. In 1989, Haque also joined the faculty at Northern Illinois University as professor of jazz and classical guitar. He continues to teach at NIU to this day.

After a short stint at Warner Bros. recording Majestad (unreleased and featuring John Patitucci, Michael Landau, Russel Ferrante, Grazinha, Lenny Castro, and Carlos Vega!), Bruce Lundvall signed Haque to the legendary Bluenote Records. While at Bluenote, Haque recorded three albums as a leader: Sacred Addiction, Opaque, and Déjà vu. Haque toured and recorded extensively with other artists, including tours and 3 CDs with Javon Jackson: A Look within, For One Who Knows, and Good People. In addition, sideman credits include tours and recordings with Joe Henderson, Herbie Mann, Bob James, Richie Cole, Joey Calderazzo, Kahil El Zabar and the Ethnic Heritage Ensemble, and numerous Bluenote recordings for producer/arranger Bob Belden alongside Cassandra Wilson, Dianne Reeves, Joe Lovano, Paul Motian, and many others. Numerous classical recitals, as well as appearances with the Vermeer Quartet and many symphonies across the US and abroad, added to an incredible diversity of performances during this period.

Thru Belden, Haque was invited to join forces with Joe Zawinul as part of his Zawinul Syndicate. The group proved to be one of Joe’s best and most eclectic. Included were percussionist and vocalist Arto Tuncboyacian, drummer Paco Sery, bassist Mathew Garrison, along with Haque on Guitar and Electric Guitar. A year of extensive touring brought Haque closer to his Jazz/Rock roots.

In 2001, Haque’s interest in jam bands and the jam scene led him to co-found the jam super-group Garaj Mahal featuring Kai Eckhardt, Eric Levy, and Alan Hertz. This began 10 years of extensive touring across the US, performing in excess of 200 shows per year. Haque also joined George Brooks’ group Summit, featuring Zakir Hussain and Steve Smith. Haque was voted ‘Most Valuable Player’ at the 2002 High Sierra Music Festival. Haque and Garaj Mahal released 3 Live CDs as well as 5 studio CDs: Mondo Garaj, Blueberry Cave, w00t, More Mr. Nice Guy, and Discovery, which featured Haque’s debut of the Moog Guitar.

In 2004, Fareed premiered his Lahara Double Concerto for Sitar/Guitar and Tabla with The Chicago Sinfonietta at Symphony Center in Chicago, under the baton of maestro Paul Freeman, featuring tabla virtuoso Ustad Zakir Hussain, to whom the work is dedicated.

In 2006, Fareed was commissioned to compose a classical guitar concerto for the Fulcrum Point Ensemble. His Gamelan Concerto was premiered in May of ’06 at The Harris theatre in Millenium Park.

In 2007, Garaj Mahal won an Independent Music Award.

How To Play Guitar Like Fareed Haque

Fareed is a wonderful player and truefire were lucky enough to get him to make this fantastic course. Jazz Comping Survival Guide is probably one of my favourite true fire courses, Fareed is not only a great player but also a very solid teacher. If your looking for something a little different in this department check out this course. 

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Bob L.
Bob L.
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Fareed, Sheryl, Mimi, and Frank are Truefire's Holy Quadrumvirate of Jazz Guitar Instruction. (There are also many other excellent instructors.) After buying a course every so often for a few years, this was the first Truefire course that I could really sink my teeth into. Fareed explains things the way I would want them explained in a one-on-one setting: concisely and with just the details I need to apply the new knowledge. Many instructors linger too much on which strings and frets to put your fingers on for every note they play, and don't actually get into their thought processes or valid reasoning behind their playing decisions, which can feel mostly like time filler. Not Mr. Haque. A decent relationship with the fretboard and some background in harmonic theory is probably required to truly appreciate this aspect. Fareed's Principles and Trade Secrets are gold. I also like that the subject matter perfectly fits his course titles with no irrelevant tangents. I haven't absorbed every lesson yet, but this is the course I keep coming back to. It gives me hope that I will develop the ability to actually play this music competently and confidently. I now have most of Fareed's courses because I love his teaching style as well as his playing in general. My goal is to get through every one of them in the next year. Thanks for putting together such great material, Fareed

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